Concerned with the deterioration of urban life, Ettore Sottsass used The Planet as Festival series to depict a utopian land where all of humanity would be free from work and social conditioning. In his futuristic vision goods are free, abundantly produced, and distributed throughout the globe. Freed from banks, supermarkets, and subways, individuals can “come to know by means of their bodies, their psyche, and their sex, that they are living.” Once consciousness has been reawakened, technology would be used to heighten self-awareness, and life would be in harmony with nature. The Planet as Festival drawings are black-and-white studies for hand-colored lithographs. They depict such “super-instruments” for entertainment as a monolithic dispenser for incense, drugs, and laughing gas set in a campground, rafts for listening to chamber music on a river, and a stadium to watch the stars.

Ettore Sottsass, The Planet as Festival: Study for Temple for Erotic Dances, project, Aerial perspective and plan.